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Buildings from Bilbao

by Billy Bao

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A2 - Loose 03:09
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A4 - Dirt 06:12
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B1 - 2010 04:31
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about

“If rock´n´roll was the sound of the city, then Billy Bao is the sound of the unemployment line, empty backyards and dark hidden urban places .
Concrete interferences provide a backdrop that alludes to the class struggle that emerged in Bilbao.
After some lineup changes, Billy Bao yields a soundtrack to this landscape by exceeding horizontally the nihilistic and individualistic discourse of noise: with 9ice, Flipper, Bobby Sox, an unstable afrobeat, the visceral freak outs of Red Krayola and distorted blues, as if Jimi Hendrix jammed with Throbbing Gristle, while Peter Brötzmann plays with his sax in the toilet. After their last record, released in Parts Unknown and Pan, they ended up in Burka For Everybody and Terminal Picnic.” Elvis Von Doom

“New album by these noise psycho terrorists. Touchpoints for their sound would include the nihilistic pummel of the BRAINBOMBS, the feral howl of early NIRVANA, and the aluminum baseball bat dunt of New Zealand post-punkers THE GORDONS, crossed up with an experimental fuckery akin to Japanese mentalists THE HANATARASH. Tracks bounce between left channel and right and skip audaciously in the grooves, but mainly serve to force perspectives, until every head is met eye to eye with his churning, bloodshot worldview.”
Clear Spot

credits

released March 11, 2013

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Btx3R/F01101/Exe. Valencia, Spain

Experimental electronics in many ways _ Valencia Spain

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